Silent Light (2007): A film by Carlos Reygadas.
Johan, a Mennonite in Mexico, betrays God and family by engaging in extramarital affairs with another women, Marianne. As his quilt builds and his deeds become irreconcilable, his faith is in question. The film feels as if it is on “real-time”, if not slower. While the cinematography is not that of any perfection, the narrative is unique and troubling.
We (the viewers) are introduced to a world that we cannot understand. Automatically from the beginning we feel as though we are intruders: watching and judging.
It is told from Johan’s point of view which creates an awkward boundary. You become inclined to side with Johan; feeling what he feels, which makes it harder to adjudicate who is in the wrong.
The ‘resurrection’ of Johan’s wife (Esther) by Marianne is an act of contrition and repentance not necessarily by Marianne but more so Johan. Throughout the film the feelings of regret and guilt transpire, but it isn’t until the end that Johan and Marianne really come to understand to consequences for their actions.
The theme of silence is quit disturbing in that it reminds us to remain without judgement. Because of the relationship we build with Johan and our emotions that are tied with his, his failings become our own, creating within us a willingness to ultimately offer him mercy and grace.
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